Awardee Events

Whitney Biennial 2026

March 8—August 23, 2026

Whitney Museum of American Art
99 Gansevoort Street
New York, NY 10014

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Anna Tsouhlarakis. SHE MUST BE A MATRIARCH, 2023. Detail. Fiberglass horse, paint, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, prophylactics, found objects. Photo courtesy of the artist.

Featuring works by Creative Capital Awardees Anna Tsouhlarakis (2021), Nani Chacon (2024), and Zack Blas (2016), and State of the Art Prize Artist Ash Arder (2026).

The eighty-second edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features work of 56 artists, duos, and collectives that reflects the current moment and examines various forms of relationality, including interspecies kinships, familial relations, geopolitical entanglements, technological affinities, shared mythologies, and infrastructural supports.

Whitney Biennial 2026 offers a vivid atmospheric survey of contemporary American art shaped by a moment of profound transition. Rather than offering a definitive answer to life today, this Whitney Biennial foregrounds mood and texture, inviting visitors into environments that evoke tension, tenderness, humor, and unease. Together, the works capture the complexity of the present and propose imaginative, unruly, and unexpected forms of coexistence.

Whitney Biennial 2026 is co-organized by Whitney curators Marcela Guerrero, the DeMartini Family Curator, and Drew Sawyer, the Sondra Gilman Curator of Photography with Beatriz Cifuentes, Biennial Curatorial Assistant, and Carina Martinez, Rubio Butterfield Family Fellow.

Zach Blas

Contra-Internet

Zach Blas

Zach Blas

Nani Chacon

Our Gods Walk Among Us

Headshot of artist Nani Chacon Nani Chacon is a Diné and Chicana artist. Her numerous projects focus on community engagement, addressing the complexity of contemporary Indigenous culture and identities.

Headshot of artist Nani Chacon

Anna Tsouhlarakis

Indigenous Absurdities

A Native American woman is standing in an art studio wearing a navy blue bandana, a grey shirt, and pearl earrings. Behind her is an abstract sculpture made out of IKEA remnants. Anna Tsouhlarakis is interested in challenging and stretching the boundaries of aesthetic and conceptual expectations to reclaim Native identity through video, performance, photography, and installation.

A Native American woman is standing in an art studio wearing a navy blue bandana, a grey shirt, and pearl earrings. Behind her is an abstract sculpture made out of IKEA remnants.