The world premiere of Sidra Bell Dance New York and Immanuel Wilkins Quartet’s (2023 Awardees) Creative Capital project COMMUNION, Gibney, May 2024. Umi Akiyoshi Photography.

Installation view of Germane Barnes’s (2022 Awardee) Creative Capital project Columnar Disorder at Art Institute of Chicago, 2024. Photo by Nathan Keay.

Jeffrey Gibson (2005 Awardee) is the first Indigenous artist to represent the US at the Venice Biennale. Pictured: exterior view of the space in which to place me, Jeffrey Gibson’s exhibition for the United States Pavilion, 60th Venice Biennale. Forecourt sculpture: the space in which to place me, 2024. Photo by Timothy Schenck.

Aliza Nisenbaum’s (2024 Awardee) The Ones Who Make it Run is a permanent installation in Terminal C at LaGuardia Airport, NYC. Photo by Dan Bradic.

Funding artists creating new work
Funding artists creating new work
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2024 Creative Capital Impact Report

This year, Creative Capital provided funding to 167 artists in 29 states across 84 cities, from Altadena to Waynesboro. We also served thousands of artists worldwide with our new, free Creative Capital Curriculum and Artist Opportunities listings. Read the 2024 Impact Report.

Cover image: Rachel Rossin, THE MAW OF, 2022. Meta Quest 2, Hand Tracking, 5-channel video, LED screens, sound. Installation view of the exhibition KW on location: Rachel Rossin: THE MAW OF, by KW Institute for Contemporary Art at Tieranatomischen Theater, Berlin 2022. Courtesy the artist. Photo: Frank Sperling.

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2024 Artist Project Videos

Discover newly funded Creative Capital projects by 2024 Awardees in Visual Arts and Film!  Watch now.

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Announcing the 2024 Creative Capital Awards

The 2024 “Wild Futures: Art, Culture, Impact” Awards in Visual Arts and Film/Moving Image represent 50 projects by 54 artists from all over the country. Creative Capital awarded groundbreaking projects focused on painting, drawing, sculpture, public art, video art, architecture and design, printmaking, installation, documentary film, experimental film, narrative film, and socially engaged forms.

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From the Journal

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