Love is the Drug: Women in Harm Reduction
Love is the Drug: Women in Harm Reduction
Liz Roberts
Liz Roberts
Love is the Drug (short film) told the story of Heather Edney’s drug user organizing which began in Santa Cruz, California, while she was caring for MyLeia Loya, a child who was born HIV positive. The film brought together a trove of archival materials: Edney’s appearances on television, photographs, zines, flyers, and community health education videos with more recent 16mm footage of Edney and Loya in Santa Cruz. Love is the Drug ultimately asserts that the archive is not a scene of redemption, but rather a cinematic apparatus that can teach us about durational love. Edney was one of the youngest voices in first wave harm reduction, in which she was mentored by pioneers like Lisa Moore, Joyce Rivera, Edith Springer, and Imani Woods. They met at the first Harm Reduction Working Group (HRWG), alongside other national leaders in needle exchange. Stephanie Comer, an early advocate and the first philanthropist to directly fund the purchase of syringes, gathered the group in San Francisco 1993. Over four days, the group created a mission for the working group and drafted a unified definition of harm reduction. HRWG evolved into the Harm Reduction Coalition (HRC).
Today, Edney provides strategic guidance and operational support to harm reduction organizations that support dignity, autonomy, and survival for people who use drugs. She continues to create safer use resources that update current harm reduction guidelines, taking into account an increased presence of fentanyl and fentanyl analogs in the drug supply. In 2025, Edney and Joy Rucker, co-founder of the Black Harm Reduction Network, have given several fireside chats on the history of harm reduction. Rucker and Edney are longtime friends, collaborators, and colleagues; their guidance anchors the history in the project.
The nonfiction feature film Love is the Drug: Women in Harm Reduction [working title] expands from the short film Love is the Drug using experimental film techniques to show the history and contemporary work of women who are thought leaders in the field. Women in Harm Reduction reveals the texture of the changing harm reduction landscape through the lives and work of under recognized women, speaking urgently to the problems arising from the mainstreaming of harm reduction. Many people feel that harm reduction has lost its way because of government involvement, opioid settlement money, and the tokenization of people who use drugs. This film is a testament to the women who got us here and keep us going, showing how harm reduction is a human right.
Documentary Film, Film/Moving Image
2026
About Liz Roberts
San Francisco, CA
Liz Roberts’ films situate personal histories in political landscapes, navigating from her lived experience and bringing decades of behind the scenes work in mutual aid. Her current projects address drug use, harm reduction, and public health in the United States alongside those using and working with drugs. Roberts has exhibited with galleries, museums, alternative spaces, and film festivals. She was part of the 2022 BAVC Media Maker Fellowship, in 2023 she was awarded a Film/Video Studio Residency with the Wexner Center for the Arts, and in 2024 she became a Film House Resident at SFFILM. Later that year she was awarded the Direct Access Fund from International Documentary Association’s Nonfiction Access Initiative and the SFFILM Rainin Filmmakers With Disabilities Grant. In 2025 Roberts screened a new short film commissioned by Visual AIDS at MoMA PS1 in conjunction with the exhibition Love Rules: The Harm Reduction Archives of Heather Edney and Richard Berkowitz.
Liz Roberts’ films situate personal histories in political landscapes, navigating from her lived experience and bringing decades of behind the scenes work in mutual aid. Her current projects address drug use, harm reduction, and public health in the United States alongside those using and working with drugs. Roberts has exhibited with galleries, museums, alternative spaces, and film festivals. She was part of the 2022 BAVC Media Maker Fellowship, in 2023 she was awarded a Film/Video Studio Residency with the Wexner Center for the Arts, and in 2024 she became a Film House Resident at SFFILM. Later that year she was awarded the Direct Access Fund from International Documentary Association’s Nonfiction Access Initiative and the SFFILM Rainin Filmmakers With Disabilities Grant. In 2025 Roberts screened a new short film commissioned by Visual AIDS at MoMA PS1 in conjunction with the exhibition Love Rules: The Harm Reduction Archives of Heather Edney and Richard Berkowitz.