Pulitzer Prize–winning composer and artist Raven Chacon (2012 Creative Capital Awardee) brings Diné worldviews into his sonic and visual practice to amplify Indigenous voices and sovereignty. For his first West Coast solo exhibition, the artist takes museum visitors on a journey through the vast landscapes of Navajo Nation.

In the seven-channel video installation The Naming of Names, Chacon brings Ray Bradbury’s science fiction narratives together with found footage recorded by foreign travelers in the 1950s and ‘60s. These silent film excerpts drawn from the Prelinger Archives in San Francisco are accompanied by a soundtrack of field recordings and electronic music composed by the artist.

Chacon reimagines the desert and canyons in Southwestern tribal lands where he is from as otherworldly, disrupting the limited representation of history and challenging the colonial gaze behind these images. Layered topographical drawings of Tséyiʼ (also known as Canyon de Chelly) on Earth and Valles Marineris on Mars are exhibited alongside the installation, linking canyons from different celestial bodies together while collapsing time and space.

Debuting during the United States’ Semiquincentennial, this timely commission retells the ongoing expansion and renaming of territories that have occurred throughout the nation’s occupation of these lands. Chacon’s speculative depictions also invite us to consider the larger histories of human and non-human inhabitants, places both terrestrial and beyond, all unfolding in their own time.