
Jessica Vaughn
Brooklyn, NY

After Willis (rubbed, moved and used) #005 by Jessica Vaughn, 2017. 36 individual sets of used public transit train seats made of fiberglass and upholstery (Chicago Transit Authority 1998-2007) on wall.
Depreciating Assets: Variable Dimensions by Jessica Vaughn, 2019. Metal, lacquer paint and hardware. 4 individual sculptures. The interior metal frame structural support of office cubicles are turned on their side and in rows.
After Willis (rubbed, moved and used) #005 [detail] by Jessica Vaughn, 2017. 36 individual sets of used public transit train seats made of fiberglass and upholstery (Chicago Transit Authority 1998-2007) on wall.
South Beach Blue No. 389, # 2 by Jessica Vaughn, 2017. Transportation seating fabric scraps procured from manufacturer (09/2015-11/2016) on plexi.
Working Procedures
Jessica Vaughn’s practice is directed by relationships and experiences in and outside of the studio, and considers how materials accumulate and inhabit spaces.
Artist BioWorking Procedures examines everyday structures that dictate our understanding of labor, space, and the circulation of resources in institutions. Through sculptures, two dimensional artworks, and installation, Working Procedures explores aspects that are specific to Vaughn’s practice, such as her work with architecture, social history and her political interests against closed systems of representation and value.