Founded in 2006, the Ghana ThinkTank is a worldwide network of think tanks creating strategies to resolve local problems in the “developed” world. The network began with think tanks from Ghana, Cuba and El Salvador, and has since expanded to include Serbia, Mexico, and Ethiopia. In a recent project, we sent problems collected in Wales to think tanks in Ghana, Mexico, Serbia, Iran, and a group of incarcerated girls in the US Prison system. These think tanks analyze the problems and propose solutions, which we put into action back in the community where the problems originated—whether those solutions seem impractical or brilliant.

John Ewing is a digital media artist specializing in participatory installations with an emphasis on social activism and cross-cultural exchange. His recent work has been featured in major international exhibitions such as the Venice Biennial of Architecture; Hong Kong/Shenzhen Biennale in Shenzhen, China; ZKM | Media Museum, Karlsruhe, Germany; the Museum of Contemporary Art in Bat Yam, Israel; the Foundation for Art and Technology, Liverpool, UK; and Eyebeam Center, New York. His project Virtual Street Corners was chosen from over 2,300 international applicants for the Knight Foundation’s News Challenge Award and was cited by Americans for the Arts as one of the most significant public art projects of 2010. Ewing holds a BFA from Cornell University and an MFA with honors from the Rhode Island School of Design.

Maria del Carmen Montoya operates in the contested ground between art and social activism. Her primary medium is the communal process of making meaning. As an artist, she seeks ways to catalyze this natural social phenomenon with situations that insist on the power of human-scale intervention in the presumed inevitability of everyday life. Her methodology is dialogic and collaborative. She believes that art can be a potent crucible for social change. Thus, her work is often about resistance and challenging norms, inverting power hierarchies and breaking rules, but she also traffics in beauty, memory, humor and other potentially radical forces for activating communities.

She has lived and worked throughout Latin America where she served as the sole interpreter for an assembly of rural farms in San Salvador, an advocate for battered women in Ciudad Juarez, Mexico and an English teacher for a craft cooperative in Quetzaltenango, Guatemala. Her work has been shown at SIGGRAPH, PERFORMA, New Museum Festival of Ideas, ZKM | Museum of Contemporary Art, Venice Biennial of Architecture and Centro Mexicano para la Música y las Artes Sonoras, in Morelia, Mexico, where she co-founded an artist residency for multimedia performance art.

Christopher Robbins works on the uneasy cusp of public art and community action, creating sculptural interventions in the daily lives of strangers. He built his own hut out of mud and sticks and lived in it while serving as a Peace Corps Volunteer in Benin, West Africa; spoke at a United Nations conference about his cross-cultural digital arts and education work in the South Pacific; and has lived and worked in London, Tokyo, West Africa, the Fiji Islands and the former Yugoslavia. He has exhibited at the Venice Biennial of Architecture, ZKM | Museum of Contemporary Art, New Museum Festival of Ideas, Trade School at the Whitney Museum, the National Museum of Wales, PERFORMA 07 and Nikolaj Kunsthallen/Copenhagen Contemporary Art Center. Robbins has been awarded residencies or fellowships from Skowhegan, MacDowell Colony, Haystack, Penland and Anderson Ranch, among others. He has an MFA from the Rhode Island School of Design and is on the sculpture faculty at SUNYPurchase.