Jace Clayton is an artist based in Manhattan, also known for his work as DJ/rupture. Clayton uses an interdisciplinary approach to focus on how sound, memory, and public space interact, with an emphasis on low-income communities and the global South. His book Uproot: Travels in 21st Century Music and Digital Culture was published in 2016 by Farrar, Straus and Giroux. Recent projects include Sufi Plug Ins, a free suite of music software-as-art, based on non-western conceptions of sound and alternative interfaces; Room 21, an evening-length composition for 20 musicians staged at the Barnes Foundation; and The Julius Eastman Memorial Dinner, a touring performance piece for grand pianos, electronics, and voice. He is a 2014 New York Foundation for the Arts Nonfiction Literature fellow, a 2013 Creative Capital Performing Arts grantee, and recipient of a Foundation for Contemporary Art artists award. He joined the Music/Sound faculty of Bard College’s MFA program in 2013. Clayton has been an artist-in-residence with the Lower Manhattan Cultural Council, Eyebeam Art + Technology Atelier, and a USC Annenberg/Getty Arts Journalism fellow. Clayton has performed in over three dozen countries, and has given artist talks at a number of museums, universities, and other institutions. His book Uproot: Travels in 21st Century Music and Digital Culture was published by Farrar, Straus and Giroux
Gbadu and the Moirai Index
Gbadu and the Moirai Index is an experimental musical composition and performance piece for four vocalists and the stock market. The performance will be staged in New York near Wall Street, with singers representing the Moirai (the three Fates) and Gbadu (their West African counterpart). Each singer’s vocals are processed and transformed by real-time financial data, mapped to character-appropriate stock market indexes. Due to market fluctuations, although the score is fixed, each performance will sound radically different.